Vol. 4, Issue 2 February 2012
 
The Lede
End of Days
The Barefoot Balladeer
Time Travel
Diggi’s Days of Yore
Letters From
Israel, Nigeria
Perspectives
Politics
Misreading the Elections
Culture
The Indian Litfest Bug
Reporting & Essays
Reportage
The Defeated
Essay
Shelf Life
Arts & Reviews
Feature
So You Want to Be a DJ?
Art Review
Shots in the Dark
Books
Review
The Honey Gatherers
Essay
Clashing by Night
Editor's Notebook
Irrationally exposed at the Expo

Review  

Published :   
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Art Review
Feature
 
  From the Previous Issues
 
Published : 1 June 2011  
Review  | Bare Naked Lady and Other Classic Moderns
By HIMANSHU BHAGAT

A celebration of the iconic Mexican photographer’s home, and a universal celebration of the human condition . . .

Published : 1 May 2011  
Review  | Love, Sex and Taboos
By ROSALYN D’MELLO

Love in India offers the viewer an almost anthropological enquiry into our collective discomfort with matters of the heart and of the crotch . . .

Published : 1 February 2011  
Review  | What I Saw in that Light
By AVEEK SEN

Photojournalism, however serious or humanitarian the issue to which it is committed, does not magically become art when it is taken out of its journalistic context . . .

Published : 1 January 2011  
Review  | Kapoorthala
By GITANJALI DANG

Anish Kapoor, Delhi, Mumbai defies the straitjacket of nationality, the latitude resulting in works that tease cultural milieus . . .

Published : 1 December 2010  
Review  | Between Art and Politics
By SONAM JOSHI

While the engagement with wide-ranging themes creates multiple dimensions for viewing the works, it diffuses the political framework within which the exhibition defines itself . . .

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