Vol. 4, Issue 5 May 2012
 
The Lede
On the Job
Foundations
Expressions
Sweet Ache
Letters From
Brazil, Jordan
Perspectives
Politics
A Paradigm Trap
Culture
Direct Message
Reporting & Essays
Reportage
The Takeover
Profile
The Outlier
Arts & Reviews
Art Review
The Revolution Will Be Sung
Art Review
Others Like Us
Books
Review
Light Show
Review
With Souls and Elbows
Editor's Notebook
Finally, A Principled Stand

Review  

Published :   
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Art Review
 
  From the Previous Issues
 
Published : 1 June 2011  
Review  | Bare Naked Lady and Other Classic Moderns
By HIMANSHU BHAGAT

A celebration of the iconic Mexican photographer’s home, and a universal celebration of the human condition . . .

Published : 1 May 2011  
Review  | Love, Sex and Taboos
By ROSALYN D’MELLO

Love in India offers the viewer an almost anthropological enquiry into our collective discomfort with matters of the heart and of the crotch . . .

Published : 1 February 2011  
Review  | What I Saw in that Light
By AVEEK SEN

Photojournalism, however serious or humanitarian the issue to which it is committed, does not magically become art when it is taken out of its journalistic context . . .

Published : 1 January 2011  
Review  | Kapoorthala
By GITANJALI DANG

Anish Kapoor, Delhi, Mumbai defies the straitjacket of nationality, the latitude resulting in works that tease cultural milieus . . .

Published : 1 December 2010  
Review  | Between Art and Politics
By SONAM JOSHI

While the engagement with wide-ranging themes creates multiple dimensions for viewing the works, it diffuses the political framework within which the exhibition defines itself . . .

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