T-Series became a music empire using a mix of dynamic trade skills, cut-throat rivalry and a fluid idea of legality. Now that it aspires to rule the film production business, will it be able to repeat its success?
What does it mean for the future of Hindi cinema if most films are now in fact conceived, thrashed out and largely executed not in Hindi but in English? Will filmmakers only tell the stories of a minuscule section of the population?
Love in India offers the viewer an almost anthropological enquiry into our collective discomfort with matters of the heart and of the crotch